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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of synth-pop.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of health issues.

"I managed to damage myself significantly," he commented in a recent interview. "I broke lower vertebrae in my spine and fractured about five ribs and broke my wrist."

After catching a lung infection and developing blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "a great place emotionally" during the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is scheduled for publication next year.

"He was concentrated and so happy with the latest project that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the music you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is different from joining a group, the bond is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, incredible, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with his new family his caregivers, who changed his given name from his birth name to his adopted name, alongside his younger sister his sister, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on a television science show a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling single of the early 80s, shifting millions of copies worldwide. Alongside hits by other artists, contemporary bands and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to afford my initial property, having money and exploring, which might seem like a beauty queen," Ball not long ago shared with a music magazine.

But it also caused problems. "Newfound wealth allowed we could afford substances to relieve the monotony" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond proceeded to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

After another break, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on September 30, that year.

However, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's upcoming release as a homage to the New York club scene they visited while making their initial records.

He added that his period in medical care had shaped the band's sound.

"I had strange recollections when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my mind from that time.
"Simultaneously, it's about the experiences me and Marc had in the 80s."

The last versions were completed only days before Ball passed away. It is due for release in the spring of 2026.

By

Kathleen Barnes

A passionate storyteller and freelance writer who crafts compelling narratives based on real-life experiences and imaginative journeys.

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